New Pan Card Form

    card

  • A piece of thick, stiff paper or thin pasteboard, in particular one used for writing or printing on
  • A small piece of such paper with a person’s name and other details printed on it for purposes of identification, for example a business card
  • a card certifying the identity of the bearer; “he had to show his card to get in”
  • Such a piece of thick paper printed with a picture and used to send a message or greeting
  • one of a set of small pieces of stiff paper marked in various ways and used for playing games or for telling fortunes; “he collected cards and traded them with the other boys”
  • tease: separate the fibers of; “tease wool”

    form

  • create (as an entity); “social groups form everywhere”; “They formed a company”
  • kind: a category of things distinguished by some common characteristic or quality; “sculpture is a form of art”; “what kinds of desserts are there?”
  • The body or shape of a person or thing
  • Arrangement of parts; shape
  • The visible shape or configuration of something
  • the phonological or orthographic sound or appearance of a word that can be used to describe or identify something; “the inflected forms of a word can be represented by a stem and a list of inflections to be attached”

    pan

  • A container made of metal and used for cooking food in
  • cooking utensil consisting of a wide metal vessel
  • A large container used in a technical or manufacturing process for subjecting a material to heat or a mechanical or chemical process
  • An amount of something contained in such a container
  • make a sweeping movement; “The camera panned across the room”
  • (Greek mythology) god of fields and woods and shepherds and flocks; represented as a man with goat’s legs and horns and ears; identified with Roman Sylvanus or Faunus

new pan card form

new pan card form – Pantech Marauder

Pantech Marauder 4G Android Phone (Verizon Wireless)
Pantech Marauder 4G Android Phone (Verizon Wireless)

Easy-to-use smartphone with dual-mode interface (view larger).

5 MP rear camera (view larger).

Pantech Marauder
Highlights:

4G connectivity

Android 4.0 (Ice Cream Sandwich)

5 MP rear camera

Slim form factor with large 3.8-inch display

Battery life: 490 min of talk time, 533 hrs of standby time

Front-facing camera for video chatting

HD video capture

Wi-Fi connectivity and Wi-Fi Direct

Mobile hotspot capability

At a Glance

The Pantech Marauder is a stylish, easy-to-use smartphone. With its powerful features and 4G LTE speeds, the Pantech Marauder is perfect for those seeking a user-friendly smartphone experience on Verizon’s network.
Easy-to-Use
The Marauder offers a dual-interface option that allows you to choose between Starter and Standard mode. Starter mode provides a simplified, easier, more intuitive experience, while Standard mode provides a general default smartphone setting for those already familiar with Android.
Touchscreen with QWERTY Keyboard
Slide out the full QWERTY keyboard for easy messaging, e-mailing, and social networking – or, use the virtual keyboard with predictive text.
Faster Web Browsing and Downloads
Go further with faster web browsing on the 4G LTE network. The Marauder’s 1.2 GHz dual-core processor speed and 1 GB RAM maximize your Android experience. Enjoy fast image loads and smoother movie and video playback.
What’s in the Box
Pantech Marauder, Standard Li-ion Battery (1,680 mAh), Wall/USB Charger, Quick Reference Guide, Product Safety and Warranty Brochure
Vital Statistics
The Pantech Marauder weighs 6.1 ounces and measures 5.07 x 2.57 x .46 inches.

Verizon Wireless 4G LTE Network
The Verizon Wireless 4G LTE network allows you to download photos, apps, and games in seconds and entire movies in minutes. LTE (or Long Term Evolution provides significantly increased upload and download speeds over 3G networks, as well as significantly reduced latency (or lag time). Verizon Wireless expects 4G LTE average data rates to be 5-12 megabits per second (Mbps) on the downlink and 2-5 Mbps on the uplink in real-world, loaded network environments.

With these blazing fast speeds, you’ll be able to stream HD movies without the annoyance of constant pauses to buffer the video stream–as well as quickly download HD-quality movies right to your phone in minutes. Additionally, you’ll be able to download a new song file in about 4 seconds or upload a photo to your favorite social networking site in about 6 seconds.
The Verizon Wireless 4G LTE mobile broadband network will also redefine the mobile office for business users. Business applications that used to require wired networks will be untethered forever, allowing you maximized productivity and efficiency while you’re out of the confines of your office. Enhanced security lets you tap into most VPN networks with less waiting, and faster responsiveness enables you to upload 10 MB presentations back to your team in less than 25 seconds.
In areas serviced only by 3G, you can expect download speeds of 600 Kbps to 1.4 Mbps and upload speeds of 500 to 800 Kbps in Mobile Broadband coverage area.

Connectivity
4G connectivity via Verizon’s network
Bluetooth v4 .0 – classic and low energy
Bluetooth profiles supported: HSP, HFP, SPP, A2DP, AVRCP, OPP, FTP, BPP, PBAP, GAVDP, AVDTP, AVCTP, HID, PAN, thermometer
Mobile Hotspot with support for up to 10 devices in 4G and up to five devices in 3G
HTML web browser
Hardware
3.8-inch WVGA, 480×800, 260K, Capacitive Touchsceen Display
Slide-out QWERTY keyboard and virtual keyboard
Processor: 1.2GHz dual-core
Memory: 4 GB / 1 GB RAM (actual formatted capacity is less)
microSD memory support: up to 32GB (sold separately)

Touchscreen with QWERTY Keyboard (view larger).
Camera
5 MP rear-facing camera with AF
VGA front-facing camera
HD 720p (1280×720) video capture (rear camera)
Multimedia
Video Formats: MPEG4, WMV9, H.263, H.264
Music Formats : AAC, AAC+, eAAC+, MP3, WAV
Create and manage playlists
Stream content wirelessly from your phone to your DNLA-compatible TV or device with Net Media
3.5 mm audio jack

Also Available for This Android Device
Amazon Appstore for Android
Get a great paid app for free every day.Kindle
Buy a book once and read it everywhere with our free Kindle Reading App for Android.Amazon MP3
Shop 15 million songs and stream your Cloud Drive music directly from your Android device.
IMDB
Find local movie showtimes and TV listings, watch trailers, and search the world’s largest source of entertainment information.Audible
Download audiobooks directly to your Android device, then listen wherever you go, get audiobook news, earn badges, and more.Amazon Mobile
Shop for millions of products, get product details, and read reviews–right from your mobile device.

311 Broadway Building

311 Broadway Building
Downtown Manhattan, Manhattan, New York City, New York, United States

This distinguished commercial building located on the west side of Broadway between Duane and Thomas Streets was erected c. 185657 by John and Daniel Jackson Steward. The building is a fine example of Italian Renaissance-inspired commercial palaces that flourished from the 1850s through the 1870s in the former wholesale textile and dry goods district of lower Manhattan. In the mid-nineteenth century, Broadway was the city’s most prestigious business and shopping street, lined with commercial palaces. Clad in stone, the building is articulated with a restrained design employing symmetrical square-headed windows with stone surrounds at the upper stories.

Today, few mid-nineteenth century commercial palaces have survived on Broadway south of Franklin Street, making the 311 Broadway Building a rare survivor. Constructed during a period when Worth Street emerged as a center of the wholesale textile trade in the United States, the 311 Broadway Building is a significant reminder of New York’s mercantile history. Early tenants included two importing firms, and then the well-known scale manufacturing company, Fairbanks and Company. William Waldorf Astor, one of the largest landowners in New York City, and then his estate owned the building for 64 years. Prominent twentieth century tenants included L.C. Smith & Brothers Typewriter Company, David T. Abercrombie Company, and Hagstrom Company, the first owner of the building that appears to have occupied it. The 311 Broadway Building remains in commercial use at the basement and first story with retail and restaurant tenants, although the upper stories are now residential.

DESCRIPTION AND ANALYSIS

The Rutgers-Barclay Family and Early Historic of the Site

Prior to the arrival of European fur traders and the Dutch West India Company, Manhattan and much of the modern-day tri-state area was populated by bands of Lenape Indians. The Lenape traveled from one encampment to another with the changes of the seasons. Fishing camps were occupied in the summer and inland camps were used during the fall and winter for harvesting crops and hunting. The main trail ran the length of Manhattan from the Battery to Inwood, following the course of Broadway adjacent to present-day City Hall Park before veering east toward the area now known as Foley Square. It then ran north with major branches leading to habitations in Greenwich Village and the Lower East Side at a place called Rechtauck or Naghtogack in the vicinity of Corlears Hook. In 1626, Dutch West Indies Company Director Peter Minuit “purchased” the island from the Lenape for sixty guilders worth of trade goods.

In 1646, Governor Kieft granted to Jan Jansen Damen forty-five acres of land that came to be known as the Calk Hook Farm. This property was bounded by the Collect Pond, a forty foot-deep body of water located near today’s Foley Square, and extended north and west of the pond to what is today Canal Street and West Broadway, and south as far as Reade Street. In the 1720s, the farm was acquired by Anthony Rutgers, a city alderman and member of the colonial assembly. A portion of this land was eventually used as part of the African Burial Ground. Rutgers built his residence near the current intersection of Church and Duane Streets. Multiple sources indicate that Anthony Rutgers and his wife Cornelia owned enslaved persons. In the 1730s, Rutgers petitioned for and was granted the swampland and pond adjoining his property with the understanding that he would drain the land. After Rutgers died in 1746, the property passed to his heirs who had their land surveyed and mapped in the 1760s. In 1772, his grandson, also named Anthony Rutgers, sold a portion of his share of the estate, a three-acre tract extending from 105 feet west of Broadway to Church Street between Duane and Worth Streets, to the Society of the Hospital in the City of New York . In 1786, Anthony Rutgers’ [Sr.] daughter Mary Barclay , widow of Rev. Henry Barclay , rector of Trinity Church, sold part of her interest in the Rutgers estate to a group of investors. The following year she conveyed the remainder of the property to her son Anthony Barclay . This comprised sixty lots, measuring approximately 100′ x 25′, and included the lots facing Broadway adjoining the hospital grounds. Barclay sold many of the lots in the 1790s and early 1800s. The remaining lots were leased.

Around 1800, the city government began a number of improvement projects in the vicinity of Barclay’s property. Between 1795 and 1798, the hill at Barley [Duane] Street was leveled and Broadway was regulated as far north as Canal Street. By 1810, most of the cross streets below Canal Street were laid out. Health concerns about pollution in the Collect Pond and the disease-breeding marshy land surrounding it led the city to purchase the pond from the Rutgers family in 1791; the city began

lust Raw

lust Raw
11×14 pen and ink on paper
Loosely based on this description
i. Babalon
This Trump was formerly called Strength. But it implies far more than strength in the ordinary sense of the word. Technical analysis shows that the Path corresponding to the card is not the Strength of Geburah, but the influence from Chesed upon Geburah, the Path balanced both vertically and horizontally on the Tree of Life (see diagram). For this reason it has been thought better to change the traditional title. Lust implies not only strength, but the joy of strength exercised. It is vigour, and the rapture of vigour.

“Come forth, O children, under the stars, & take your fill of love! I am above you and in you. My ecstasy is in yours. My joy is to see your joy.”

“Beauty and strength, leaping laughter and delicious languor, force and fire, are of us.”

“I am the Snake that giveth Knowledge & Delight and bright glory, and stir the hearts of men with drunkenness. To worship me take wine and strange drugs whereof I will tell my prophet, & be drunk thereof! They shall not harm ye at all. It is a lie, this folly against self. The exposure of innocence is a lie. Be strong, O man! lust, enjoy all things of sense and rapture: fear not that any God shall deny thee for this.”

“Behold! these be grave mysteries; for there are also of my friends who be hermits. Now think not to find them in the forest or on the mountain; but in beds of purple, caressed by magnificent beasts of women with large limbs, and fire and light in their eyes, and masses of flaming hair about them; there shall ye find them. Ye shall see them at rule, at victorious armies, at all the joy; and there shall be in them a joy a million times greater than this. Beware lest any force another, King against King! Love one another with burning hearts; on the low men trample in the fierce lust of your pride, in the day of your wrath.”

“There is a light before thine eyes, O prophet, a light undesired, most desirable.

“I am uplifted in thine heart; and the kisses of the stars rain hard upon thy body.

“Thou art exhaust in the voluptuous fulness of the inspiration; the expiration is sweeter than death, more rapid and laughterful than a caress of Hell’s own worm.”
This Trump is assigned to the sign of Leo in the Zodiac. It is the Kerub of Fire, and is ruled by the Sun. It is the most powerful of the twelve Zodiacal cards,’ and represents the most critical of all the operations of magick and of alchemy. It represents the act of the original marriage as it occurs in nature, as opposed to the more artificial form portrayed in Atu VI; there is in this card no attempt to direct the course of the operation.

The main subject of the card refers to the most ancient collection of legends or fables. It is necessary here to go a little into the magical doctrine of the succession of the Aeons, which is connected with the procession of the Zodiac. Thus, the last Aeon, that of Osiris, is referred to Aries and Libra, as the previous Aeon, that of Isis, was especially connected with the signs of Pisces and Virgo, while the present, that of Horus, is linked with Aquarius and Leo. The central mystery in that past Aeon was that of Incarnation; all the legends of god-men were founded upon some symbolic story of that kind. The essential of all such stories was to deny human fatherhood to the hero or god-man. In most cases, the father is stated to be a god in some animal form, the animal being chosen in accordance with the qualities that the authors of the cult wished to see reproduced in the child.

Thus, Romulus and Remus were twins begotten upon a virgin by the god Mars, and they were suckled by a wolf. On this the whole magical formula of the city Rome was founded.

Reference has already been made in this essay to the legends of Hermes and Dionysus.

The father of Gautama Buddha was said to be an elephant with six tusks, appearing to his mother in a dream.

There is also the legend of the Holy Ghost in the form of a dove, impregnating the Virgin Mary. There is here a reference to the dove of Noah’s Ark, bringing glad tidings of the salvation of the world from the waters. (The dwellers in the Ark are the foetus, the waters the amniotic fluid.)

Similar fables are to be found in every religion of the Aeon of Osiris: it is the typical formula of the Dying God.

In this card, therefore, appears the legend of the woman and the lion, or rather lion-serpent. (This card is attributed to the letter Teth, which means a serpent.)

The seers in the early days of the Aeon of Osiris foresaw the Manifestation of this coming Aeon in which we now live, and they regarded it with intense horror and fear, not understanding the precession of the Aeons, and regarding every change as catastrophe. This is the real interpretation of, and the reason for, the diatribes against the Beast and the Scarlet Woman in the XIII, XVII and XVIII-th chapters of the Apocalypse; but on the Tree of Life, the path of Gimel, the Moo